Blackmagic HyperDeck Studio HD Plus, Includes features of the Mini model plus better transport controls, front panel headphone and speaker, 6G- SDI and fill and key out

Includes features of the Mini model plus better transport controls, front panel headphone and speaker, 6G- SDI and fill and key out. Supports all codecs up to 1080p60 and ProRes and DNxHD to 2160p30.

Extend and fully power cameras up to 2 km away using an open standard SMPTE fiber cable!

Blackmagic Fiber Converters Extend and fully power cameras up to 2 km away using an open standard SMPTE fiber cable! The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work!

Place Cameras Anywhere Get cameras much closer to the action! If you're working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology!

SMPTE Fiber for Industrial Strength and Safety Built in multi layer fail safe instantly cuts power to eliminate danger Blackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or an earth leak is detected, the power is instantly shut down to eliminate any danger to personnel.

Add Studio Camera Controls Transform broadcast cameras into dedicated studio cameras! Studio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras!

Super fast, low latency ethernet link for video, audio and control!

Specifications

Connections

• SDI Video Inputs: 1
• SDI Video Outputs: 2
• SDI Monitor Outputs: 1
• SDI Rates: 270Mb, 1.5G, 3G, 6G.
• HDMI 2.0 Video Inputs: 1
• HDMI 2.0 Video Outputs: 1
• Built in Speaker: Mono
• Audio Output: 1 x 6.35 mm headphone jack.
• Screen: 2.2 inch LCD.
• Timecode Connections: 1 x BNC In, 1 x BNC Out.
• Reference Connections: 1 x BNC In, 1 x BNC Out. Tri-Sync or Black Burst.
• SDI Audio Inputs: 16 channels embedded audio.
• SDI Audio Outputs: 16 channels embedded audio.
• HDMI Audio Inputs: 8 channels embedded audio.
• HDMI Audio Outputs: 8 channels embedded audio.
• Remote Control: 1 x RS-422 In, 1 x RS-422 Out.
• Recorder Configuration: Via user interface or Blackmagic HyperDeck Ethernet Protocol.
• Ethernet: 1Gb/s
• Computer Interface: 1 x USB Type-C 3.0 (up to 5Gb/s) for external drive recording, webcam out, software configuration and updates.

Standards

• SD Video Standards: 525i59.94 NTSC, 625i50 PAL
• HD Video Standards: 720p50, 720p59.94, 720p60 1080i50, 1080i59.94, 1080i60 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30
• 2K DCI Video Standards: 2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI
• Ultra HD Video Standards: 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30
• 4K DCI Video Standards: 4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI
• SDI Compliance: SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081-1, SMPTE 2081-10, SMPTE 2084 and SMPTE 2108-1.
• SDI Metadata Support: HD RP188 and closed captioning CEA-708. HDR Metadata supported on SDI.
• Supported HDMI Formats: 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080i50, 1080i59.94, 1080i60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI
• Audio Sampling: Television standard 24-bit, 48 kHz sample rate.
• Video Sampling: 4:2:2 YUV
• Color Precision: 10-bit
• Color Space: REC 601, REC 709, REC 2020. 33 point 3D LUTS can be applied to SDI monitor out.
• HDR Support: Hybrid Log-Gamma, ST2084 300, ST2084 500, ST2084 800, ST2084 1000, ST2084 2000, ST2084 4000, ST2084
• Multi Rate Support: Auto detection of SD, HD and 6G-SDI.
• Copy Protection: HDMI input is unable to capture from copy protected HDMI sources. Always confirm copyright ownership before capture or distribution of content.

Media

• Media: 2 x SD card slots 1 x USB-C 3.0 expansion port for external recording of SD, HD, 2K DCI, Ultra HD and 4K DCI.
• Media Type: UHS-I and UHS-II SD cards.
• Media Format: Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.

Control

• Built in Control Panel: 13 buttons for transport and device control with search dial and 2.2 inch color display.
• External Control: RS-422 deck control, SDI start/stop, timecode run. Includes Blackmagic HyperDeck Ethernet Protocol. Supports remote FTP file upload.

Power Requirements

• Power Supply: 1 x Internal 100 - 240V AC 50/60Hz. 1 x 4 pin XLR 12V DC In for external power supply or battery use.
• Power Usage: 100 W max.

Environmental Specifications

• Operating Temperature: 0° to 40° C (32°to 104° F)
• Storage Temperature: -20° to 60° C (-4° to 140° F)
• Relative Humidity: 0% to 90% non-condensing

Physical

• Weight: 3.29 lb
• Dimensions: 10 1/2"x10 1/2"x3 1/2"