Blackmagic URSA Mini Pro 4.6K G2, Get an amazing Super 35mm 4.6K sensor with 15 stops of dynamic range up to 120 fps or 2K at 300 fps!

Get an amazing Super 35mm 4.6K sensor with 15 stops of dynamic range up to 120 fps or 2K at 300 fps! Includes features such as 3 x ND filters, Blackmagic RAW, USB-C external disk recording and more!

Blackmagic URSA Mini Pro 12K Introducing the World's Most Advanced Digital Film Camera! Blackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. The combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives you the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras. You can shoot at 60 fps in 12K, 120 fps in 8K and up to 240 fps in 4K Super 16. URSA Mini Pro 12K features an interchangeable PL mount, as well as built in ND filters, dual CFast and UHS-II SD card recorders, a SuperSpeed USB-C expansion port and more. DaVinci Resolve Studio is included for creative control through post from editing to color, VFX and more!

Digital Film, Extreme Resolution URSA Mini Pro 12K's extreme resolution goes well beyond traditional motion picture film! You get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX. The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Super sampling at 12K means you not only get better color and resolution at 8K, but also a smoothness that comes from making aliasing invisible. This new generation of digital film technology ushers in an analog style purity and subtlety to deliver a better than film experience.

Cinematic Super 35 12K Sensor The Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame! The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800. The new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions. You can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 120 fps without cropping or changing your field of view. URSA Mini Pro's interchangeable lens mount lets you choose from the widest range of vintage and modern cinema lenses, so you can capture every ounce of character and detail from your favorite optics.

Shoot in 12K, Edit on a Laptop The URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As an incredibly efficient next generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn't possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It's like a multi camera shoot with only one camera. And it's perfect for great looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post production instantly, without rendering, while retaining the full sensor's color accuracy.

Blackmagic RAW Fueled Image Capture Only Blackmagic RAW makes cinema quality 12-bit, 80 megapixel images at up to 60 frames a reality! Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give you the best possible images with predictable and consistent file size. You can record RAW to two cards simultaneously so you can shoot 12K or 8K to either CFast or UHS-II cards, even at high frame rates! Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production.

Virtual Cinema Production When shooting in virtual production environments, the high frequencies of the LED matrix in video walls can cause problems for ultra sharp modern lenses and high resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. URSA Mini Pro 12K OLPF adds a high performance, optical low pass filter that is precisely matched to the 12K sensor. The OLPF also incorporates updated IR filtering that improves far red color response which, when combined with Blackmagic RAW processing for the URSA Mini Pro 12K OLPF, preserves color and critical image detail for new levels of image fidelity.

Specifications

Camera Features

• Effective Sensor Size: 25.34mm x 14.25mm (Super35)
• Lens Mount: EF mount included. Interchangeable with optional PL, B4 and F lens mounts.
• Lens Control: Electronic control via EF mount pins or 12pin broadcast connector for compatible lenses
• Dynamic Range: 15 Stops.
• Shooting Resolutions: 4608 x 2592, 4608 x 1920 (4.6K 2.40:1) 4096 x 2304 (4K 16:9) 4096 x 2160 (4K DCI) 3840 x 2160 (Ultra HD) 3072 x 2560 (3K Anamorphic) 2048 x 1152 (2K 16:9) 2048 x 1080 (2K DCI) 1920 x 1080
• Frame Rates: Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
• High Speed Frame Rates: Blackmagic RAW 8:1 4.6K Full - Up to 120 fps UHD Windowed - Up to 150 fps HD Windowed - Up to 300 fps ProRes 422 HQ 4.6K Full - Up to 80 fps UHD Windowed - Up to 120 fps HD Windowed - Up to 240 fps
• Built in ND Filters: Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop ND filters.
• Focus: Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
• Iris Control: Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.
• Screen Dimensions: 4 inch
• Screen Type: LCD capacitive touchscreen.
• Metadata Support: Automatically populated lens data from electronic EF, B4 and i/Technology compatible PL lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
• Controls: Touchscreen menus on 4 inch screen. Push buttons for other controls. 2 assignable shortcut keys.
• Timecode Clock: Highly accurate timecode clock. Less than 1 frame drift every 8 hours.

Connections

• Total Video Inputs: 1 x SDI
• Total Video Outputs: 1 x SDI, 1 x SDI Monitoring.
• SDI Rates: 1.5G, 3G, 6G, 12G.
• Analog Audio Inputs: 2 x XLR analog switchable between mic, line and AES audio. Phantom power support.
• Analog Audio Outputs: 1 x 3.5mm headphone jack, supports iPhone microphone for talkback.
• Reference Inputs: Tri-Sync/Black Burst/Timecode.
• Remote Control: 2 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
• Computer Interface: USB Type-C 3.1 Gen 1 for external drive recording and software updates.

Audio

• Microphone: Integrated stereo microphone.
• Built in Speaker: 1 x mono speaker.

Standards

• SD Video Standards: None
• HD Video Standards: 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
• Ultra HD Video Standards: 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
• SDI Compliance: SMPTE 292M, SMPTE 424 level A and B, SMPTE 2081-1, SMPTE 2082-1
• SDI Audio Sampling: 48 kHz and 24 bit

Media

• Media: 2 x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3. 1 Gen 1 expansion port for external media for Blackmagic RAW and ProRes recording.
• Media Format: Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.

Supported Codecs

• Codecs: Blackmagic RAW Constant Bitrate 3:1 Blackmagic RAW Constant Bitrate 5:1 Blackmagic RAW Constant Bitrate 8:1 Blackmagic RAW Constant Bitrate 12:1 Blackmagic RAW Constant Quality Q0 Blackmagic RAW Constant Quality Q5 Apple ProRes XQ QuickTime Apple ProRes 444 QuickTime Apple ProRes 422 HQ QuickTime Apple ProRes 422 QuickTime Apple ProRes 422 HQ QuickTime Apple ProRes 422 LT QuickTime Apple ProRes 422 Proxy QuickTime

Control

• External Control: Blackmagic SDI Control Protocol, iPad control, Bluetooth control, 2 x 2.5mm LANC for lens and record control.

Color Corrector

• Color Corrector: DaVinci YRGB.

Talkback and Tally

• Talkback: SDI Channels 15/16 and iPhone headset.
• Live Tally Indicator: Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.

Storage Features

• Storage Type: 2 x CFast 2.0 2 x SD UHS-II cards 1 x high speed USB-C expansion port for external media.
• Storage Rates: Storage rates based on 30 frames per second. 4608 x 2592 Blackmagic RAW 3:1 - 183 MB/s Blackmagic RAW 5:1 - 110 MB/s Blackmagic RAW 8:1 - 68 MB/s Blackmagic RAW 12:1 - 46 MB/s Blackmagic RAW Q0 - 110 to 274 MB/s * Blackmagic RAW Q5 - 27 to 78 MB/s ** Apple ProRes XQ - 360 MB/s Apple ProRes 444 - 238 MB/s Apple ProRes HQ - 158 MB/s Apple ProRes 422 - 106 MB/s Apple ProRes LT - 73.5 MB/s Apple ProRes Proxy - 32.3 MB/s 3840 x 2160 Blackmagic RAW 3:1 - 127 MB/s Blackmagic RAW 5:1 - 76 MB/s Blackmagic RAW 8:1 - 48 MB/s Blackmagic RAW 12:1 - 32 MB/s Blackmagic RAW Q0 - 76 to 191 MB/s * Blackmagic RAW Q5 - 19 to 55 MB/s ** Apple ProRes XQ - 250 MB/s Apple ProRes 444 - 165 MB/s Apple ProRes HQ - 110 MB/s Apple ProRes 422 - 73.6 MB/s Apple ProRes LT - 51 MB/s Apple ProRes Proxy - 22.4 MB/s 1920 x 1080 Blackmagic RAW 3:1 - 33 MB/s Blackmagic RAW 5:1 - 20 MB/s Blackmagic RAW 8:1 - 12 MB/s Blackmagic RAW 12:1 - 8 MB/s Blackmagic RAW Q0 - 20 to 49 MB/s * Blackmagic RAW Q5 - 5 to 14 MB/s ** Apple ProRes XQ - 62.5 MB/s Apple ProRes 444 - 41.25 MB/s Apple ProRes HQ - 27.5 MB/s Apple ProRes 422 - 18.4 MB/s Apple ProRes LT - 12.75 MB/s Apple ProRes Proxy - 5.6 MB/s
• Recording Formats: Blackmagic RAW Q0, Q5, 3:1, 5:1, 8:1 and 12:1 at 4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3840 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080 with film, extended video or video dynamic range. ProRes at 4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3840 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080 with film, extended video or video dynamic range.

Power Requirements

• Power Supply: 1 x External 12V power supply. 12 pin Molex connector for rear battery plate.
• External Power Input: 1 x 4 pin XLR port for external power or battery use. 1 x 12 pin Molex connector on rear battery plate. Custom V-mount battery plate with D-tap +12V regulated output from camera.
• Power: Rear camera mount compatible with industry standard V-mount or gold mount battery plates.

Environmental Specifications

• Operating Temperature: 0° to 40°C (32° to 104°F)
• Storage Temperature: -20° to 45°C (-4° to 113°F)
• Relative Humidity: 0% to 90% non-condensing

Physical

• Weight: 8.82 lb