{"product_id":"dzofilm-dzo-sap25ipl","title":"DZOFILM Arles 25mm FF\/VV Prime Cine Lens(PL mount feet) - Imperial, Vista Vision Full-Frame High-Speed Prime, PL and EF Mount, T1.4 Fast Aperture, 16-Blade Iris, M86 Front Filter","description":"\u003cp\u003eDZOFilm Arles 25mm FF\/VV Prime Cine Lens(PL mount feet) - Imperial\u003c\/p\u003e\u003ch3\u003eSpeeding Towards Cinematic Visual Brilliance\u003c\/h3\u003e\u003cp\u003eThe Arles Prime lens series draws its name from the picturesque town of Arles in southern France, a cherished source of inspiration for the artist Vincent van Gogh. Renowned for its abundant sunlight and vibrant colors throughout the seasons, Arles catalyzed van Gogh departure from conventional artistic styles. DZOFILM Arles Prime series, with its T1.4 fast apertures, captures the dynamic interplay of light and shadow, igniting fresh possibilities for artistic expression and cinematic creativity.\u003c\/p\u003e\u003ch3\u003eUnparalleled Spatial Visual Impact\u003c\/h3\u003e\u003cp\u003eThis High Speed Prime Cine Lens - Arles Series - covers Vista Vision sensors with a 46.5mm image circle, providing greater light transmission for enhanced depth and dimension in your visuals. This results in broader, more immersive images with rich detail. T1.4 aperture and unique field curvature design offer exceptional focus control, creating a three-dimensional visual experience with smooth transitions between in-focus and out-of-focus areas. Compatible with large-format cinema cameras such as the RED V-Raptor VV and ARRI Alexa LF, it provides a sharp, neutral look that meets the demands of high-end post-production workflow.\u003c\/p\u003e\u003ch3\u003eHigh-Speed Prime for Ultimate Visual Quality\u003c\/h3\u003e\u003cp\u003eWith its T1.4 ultra-wide aperture, the Arles Prime provides ample light intake, excelling in low-light and complex shooting conditions. This high-speed lens creates stunningly dreamy shallow depth of field, precisely highlighting every narrative detail, especially under low light. At wide-open aperture, the lens ensures even brightness transitions and clear rendering of intricate light and shadow details, and supports high frame rate shooting without compromising image quality.\u003c\/p\u003e\u003ch3\u003eCrafted Precision for Immaculate Clarity\u003c\/h3\u003e\u003cp\u003eUsing advanced multi-layer nano-coating technology, the Arles series features a specially calibrated blue coating that ensures precise flare control with minimal stray light and ghosting, plus exceptional color accuracy across the spectrum. This entire T1.4 cine lens series incorporates a protective coating on the front lens element to resist dust and dirt accumulation. The internal lens structure utilizes sandblasting and anodizing techniques to create a micro-level anti-reflective coating with ultra-low reflectivity. Across the entire focal range, these high-speed lenses maintain consistent color temperatures of around 5000K.\u003c\/p\u003e\u003ch3\u003eCinematic Depth with Painterly Rendering\u003c\/h3\u003e\u003cp\u003eThe Arles Prime boasts 16 aperture blades, delivering delightful circular bokeh and ensuring smooth transitions between in-focus and out-of-focus areas. At maximum aperture, it presents a soft low-contrast look, while slight swirling bokeh on the periphery adds a distinctive characteristic to the image. The built-in floating lens elements substantially minimize aberrations during focusing transitions from infinity to close-up, and minimal breathing immerses viewers in each frame.\u003c\/p\u003e\u003ch3\u003eExquisite Optics, Superlative Performance\u003c\/h3\u003e\u003cp\u003eThe Arles Primes achieve remarkable image quality through rigorous optical design, ensuring consistent high resolution while meeting the demands of high-end cinematography. The 14mm, 18mm, 21mm, and 25mm lenses each incorporate two aspherical elements (including one 50mm large-diameter aspherical element). The entire series uses low-dispersion optical materials to precisely suppress chromatic aberration.\u003c\/p\u003e\u003ch3\u003eComprehensive Focal Range for Diverse Creation\u003c\/h3\u003e\u003cp\u003eWith a comprehensive set of eleven lenses covering ultra-wide, standard, and telephoto focal lengths (14 to 180mm), the Arles series caters to a wide range of shooting scenarios while maintaining consistent visual aesthetics. Compatible with larger format sensors, it offers coverage for medium format cameras such as the Fujifilm GFX 50S and large format cameras like the ALEXA 65.\u003c\/p\u003e\u003ch3\u003eRobust Mechanical, Smooth Workflow\u003c\/h3\u003e\u003cp\u003eThe Arles undergoes thorough testing to ensure structural integrity, including 100000 times fatigue testing and 1000hz high-frequency vibration. With micron-level precision, this wide-aperture prime lens guarantees smooth operation of the focus and aperture rings. The dual interchangeable imperial\/metric focus scale design facilitates quick switching.\u003c\/p\u003e\u003ch3\u003eCompact Design for Seamless Integration\u003c\/h3\u003e\u003cp\u003eDesigned to work seamlessly with industry-standard cine accessories, it includes a uniform front diameter of 95mm and an 86mm filter size over the whole range. With a standard 0.8 MOD gear pitch design and consistent positioning of focus and aperture rings across the series, lens and accessory swaps require no readjustment. Except for the 135mm and 180mm, all lenses maintain the same body length.\u003c\/p\u003e\u003ch3\u003eFlexible and Inclusive for Unlimited Innovation\u003c\/h3\u003e\u003cp\u003eThe 1.5cm short rear part design allows Arles lenses to adapt flexibly to PL, EF, and LPL mounts such as ARRI Alexa Mini LF, RED V-Raptor, Canon C400, and Sony VENICE 2. Its compatibility with KOOP magnetic rear filters and various optical adapters opens up a wide range of creative possibilities. The lightweight, compact design (weighing between 1.4 and 1.9 kg) allows for easy integration with gimbals, stabilizers, drones, and Steadicams.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Arles Prime series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 14 \/ 18 \/ 21 \/ 25 \/ 35 \/ 40 \/ 50 \/ 75 \/ 100 \/ 135 \/ 180 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF (LPL compatible via short rear design)\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9-T22 (14mm), T1.4-T22 (18\/21\/25\/35\/40\/50\/75\/100mm), T1.8-T22, T2.4-T22 (135\/180mm)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: 12-15 elements in 8-13 groups depending on focal length\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eAngle of View (diagonal): 109 deg (14mm) down to 13 deg (180mm)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.28m\/11in (14mm) to 1.07m\/3ft6in (180mm)\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (65 to 90 degrees depending on focal length)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (270 degrees)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 95mm \/ 3.74in\u003c\/li\u003e\n\u003cli\u003eLength: 121mm\/4.76in (PL) \/ 129mm\/5.08in (EF) for most; 130mm\/138mm for 135 and 180mm\u003c\/li\u003e\n\u003cli\u003eIris Blade: 16\u003c\/li\u003e\n\u003cli\u003eFilter Size: M86\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy\u003c\/li\u003e\n\u003cli\u003eWeight: 1646g (14mm), 1663g (18mm), 1500g (21mm), 1490g (25mm), 1650g (35mm), 1633g (40mm), 1688g (50mm), 1662g (75mm), 1830g (100mm), 1846g (135mm), 1675g (180mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":46560225034437,"sku":"DZO-SAP25IPL","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/0612\/9093\/files\/25mm_PL_1_b68da0ab-8a50-4920-bf91-70b9780a9130.png?v=1784437992","url":"https:\/\/www.prodj.com\/products\/dzofilm-dzo-sap25ipl","provider":"ProDJ","version":"1.0","type":"link"}